20 SCENE: WORKING DAY AND NIGHT
Working Day and Night lyrics:
In opening music section, Ameer & Steven
exit, Greg and Robert cross stage,
stopped by Ameer & Steven's entrance.
Steven joins Greg & Robert and all 3
exit off SR, Ameer off SL.
Brian and Shane get into place, they
begin to dance on first line of song.
Ooh my honey
You got me workin' day and night
Ooh my sugar
You got me workin' day and night
Scratch my shoulder
It's aching, make it feel alright
When this is over
Lovin' you will be so right
I often wonder if lovin' you
Ameer & Steven enter opposite sides,
Will be tonight
Ameer gives an outfit to him.
But what is love girl
If I'm always out of sight (ooh)
(That's why)
Ameer & Steven exit opposite sides.
You got me workin' day and night
And I'll be workin'
From sun up to midnight
You got me workin', workin' day and night
Kevin goes grocery shopping.
You got me workin', workin' day and night
Janet & Robert switch places with
You got me workin', workin' day and night
Brian and Shane.
All exit after
You got me workin', workin' day and night
Chorus.
You say that workin'
Robert & Janet dance.
Is what a man's supposed to do
And I say it ain't right if I can't give sweet love to you
(Ah)
I'm tired of thinkin'
Of what my life's supposed to be (well)
Soon enough darlin'
This love will be reality (ah ah)
How can you live girl
Ameer & Steven enter. Ameer gives
'Cause love for us was meant to be (well)
Steven shoes.
Then you must be seein'
Some other guy instead of me (ooh)
(That's why)
Ameer & Steven exit.
You got me workin' day and night
And I'll be workin'
From sun up to midnight
You got me workin', workin' day and night
Kevin goes grocery shopping.
(hold on)
Greg & Bradley switch with
You got me workin', workin' day and night
Robert & Janet
I'm so tired, tired, tired now
You got me workin', workin' day and night
You got me workin', workin' day and night
(hoo, hoo, hoo)
All exit.
INSTRUMENTAL
Greg dances.
Hands part follows.
When that is done, Ameer & Steven
enter, Ameer looks him over a final time.
Ameer and Steven exit, so that Greg
is left alone with Bradley for "oh, oh, oh"
You say that workin'
Everybody enters: the 3 dance couples take
Is what a man's supposed to do
places, Kevin and Mike set up for
And I say it ain't right
dinner.
If I can't give sweet love to you (well, ah)
How can you live girl
'Cause love for us was meant to be (well, ah)
You must be seein' (woo)
Some other guy instead of me (ooh)
(That's why)
You got workin' day and night (I don't understand it)
And I'll be workin'
From sun up to midnight
You got me workin', workin' day and night ....
You got me workin', workin' day and night ....
You got me workin', workin' day and night ....
You got me workin', workin' day and night ....
INSTRUMENTAL
Another "hands" section with all couples participating.
Lyrics continue and music fades out.
21 SCENE: THE DINNER SEQUENCE
A. Kevin and Mike
KEVIN
Do you have any idea how disgusted I am
by you? Do you?
MIKE
I do.
KEVIN
Do you really?
MIKE
I do.
KEVIN
No, you don't.
MIKE
Yes, I do.
KEVIN
Really?
MIKE
I'm sorry.
KEVIN
Are you really?
MIKE
Yes, I really am.
KEVIN
After everything that we've talked about.
MIKE
I know.
KEVIN
You promised me.
MIKE
I know.
KEVIN
You said you didn't want to do that
anymore.
MIKE
I'm sorry. I slipped.
KEVIN
You slipped? You slipped. Is that how you
see it, Mike? A slip. Really, is that how
you see it? You are completely fucking up
this relationship. You make me feel like
shit. You embarass me in front of all of
our friends. And you have the nerve to
sit here at this table and look me in the
eyes and describe what you're doing to us
as a "slip".
B. Robert and Janet
ROBERT
You should wear a slip with this dress.
When you stand up and the light shines
through, everybody can see your pussy.
C. Kevin and Mike
KEVIN
Fuck you, Mike.
D. Robert and Janet
ROBERT
I don't want the whole world staring at
your pussy. It makes me jealous.
E. Kevin and Mike
KEVIN
I'm not a jealous person, Mike. It's not
about jealousy It's about trust. It's
about honesty.
F. Shane & Brian
SHANE
Do I seem like an honest person to you?
BRIAN
Yeh.
SHANE
Because I am. You know. I'm into honesty.
I like people to be honest with each
other.
G. Bradley and Greg
BRADLEY
Let me be honest with you. I've been with
thousands of guys.
GREG
Thousands, really? Now would that be like
two thousand or like nine thousand?
BRADLEY
I lost count after three thousand. But
I'm telling you, and I am not drunk right
now and I am not on drugs. and I am not
lying.
H. Shane and Brian
SHANE
And I want you to believe me when I tell
you this.
BRIAN
What?
I. Robert and Janet
ROBERT
No, seriously, I'm gonna tell you
something and you have to believe me.
JANET
What?
J. Bradley and Greg
BRADLEY
Will you believe me?
GREG
What Bradley?
K. Shane and Brian
SHANE
Out of all the men I've been with my
entire life, you are by far the most
amazing.
L. Robert AND Janet
ROBERT
The most beautiful.
M. Bradley and Greg
BRADLEY
The most perfect.
N. Kevin and Mike
KEVIN
The lies, Mike, they never end. It's like
you'll say anything. You try to figure
out what I want to hear and you repeat it
over and over and you convince me you're
something that you're not. And after
awhile I begin to believe you. You spend
the night, we make love in the morning,
you bring me breakfast, you tell me that
you love me, and I think this is working,
this feels right, this is what I want.A
committed, monogamous relationship with a
beautiful man. I feel safe, I feel secure
and I start to trust you again. And then
I do your laundry and I empty out your
pockets and I find a gold token with the
words "Peep Show" on the back. I know
what they're for. I've done all of that
anonymous sex stuff. I've cruised dirty
bookstores, I've gone to the Rambles,
I've had my dick sucked at the
Christopher Street bookstore, I've
watched the boys do their jack-off shows
at the Gaiety and the Eros and that place
on 43rd Street that they turned into a
deli.
MIKE
Show World?
KEVIN
Whatever. The point is, I've done it all,
Mike, and I hated it. And I thought you
hated it, too.
MIKE
I do hate it.
KEVIN
But you can't stop going.
O. Bradley and Greg
GREG
I used to dance at Show World.
BRADLEY
For how long?
GREG
On and off for two years.
BRADLEY
I think I've seen you there.
GREG
I was much younger.
BRADLEY
You're still young.
GREG
Oh no I'm not.
BRADLEY
How old are you?
GREG
How old do you want me to be?
P. Kevin and Mike
KEVIN
When I was holding that token this
morning and I was picturing you in some
goddamn buddy booth. You make me feel old
and you make me feel ugly.
MIKE
You're not ugly and you're not old.
KEVIN
Come on, I'm 29. That's like being 60 in
gay years.
Q. Shane and Brian
SHANE
How old are you?
BRIAN
I'm 21.
R. Kevin and Mike
KEVIN
When I was 21, I used to go to parties
and everybody I met was older, and now
when I go out, everybody I meet is like
22, 23, 24.
MIKE
This is not about age.
KEVIN
Well, it feels like it is.
S. Shane and Brian
SHANE
Do you like older guys.
BRIAN
I do.
SHANE
Because I like young guys I can teach
things to.
BRIAN
Like what "things"?
SHANE
Like life things. Like how to get through
life without killing yourself. I was a
fucked up kid. I was a troublemaker. It
took me a long time to figure things out.
And I know a lot of boys in these clubs
are fucked up, too, and I understand it.
And I like to help.
T. Robert and Janet
JANET
I could help you with that. That's what I
did before I got into investing, I was an
accountant.
ROBERT
Well, I had this one accountant, but he
fucked everything up.
JANET
I could help you.
ROBERT
Are you good?
JANET
I'm very good.
U. Shane and Brian
SHANE
People need guidance, you know. People
need mentors to help them figure things
out. I could do that for you, if you
wanted me to.
V. Robert and Janet
ROBERT
That'd be great. How much would you
charge?
JANET
I'm sure we could work something out.
ROBERT
That would be great, huh? My little baby,
doing my taxes. I come in the room, while
you're sitting at the desk. I stand
behind you, reach my hand around your
front, slip my hand in your bra, would
you like that?
W. Shane and Brian
SHANE
Would you?
BRIAN
I've never had someone take care of me.
SHANE
I could take care of you. I know what you
need. I'd like to take a walk with you.
Could we do that? Do you have a break
coming up?
BRIAN
For dinner.
SHANE
Meet me out front at 5 o'clock.
X. Robert and Janet
JANET
I thought more about our house.
ROBERT
What did you think?
JANET
I picked a color.
ROBERT
What color?
JANET
Yellow.
ROBERT
I love yellow.
JANET
You do?
ROBERT
Janet, that's my favorite color.
JANET
You never told me that.
ROBERT
I'd like to see you in a yellow dress.
JANET
I look good in yellow.
ROBERT
Are you coming in next Tuesday?
JANET
I'm planning on it.
ROBERT
Then next Tuesday I wanna see you in a
yellow dress.
JANET
Would you like that?
ROBERT
I would like that very much.
Y. Bradley and Greg
BRADLEY
Don't you feel like we've known each
other our whole lives? Don't you think we
have a connection? Do you feel that? Do
you?
GREG
I do.
BRADLEY
Do you really?
GREG
I really do.
Z. Kevin and Mike
KEVIN
I just honestly feel like I don't even
know you any more.
MIKE
You know me.
KEVIN
I wonder.
22 SCENE: STEVENS' FIRST CUSTOMER
Steven is in booth 2. Shane enters booth.
SHANE
You know you're really hot.
STEVEN
Thank you.
He gives him money.
SHANE
I bet guys tell you that all the time.
STEVEN
What?
SHANE
How fucking hot you are.
STEVEN
Sometimes.
SHANE
You have a really pretty mouth.
STEVEN
Thank you.
SHANE
I'd like to fuck it. Would you like that?
Would you? Would you like to be my pussy
boy? Say it.
STEVEN
Say what?
SHANE
"I wanna be your pussy boy."
STEVEN
You want me to say that?
SHANE
Yeah, say, "I wanna be your pussy boy."
STEVEN
I wanna be your pussy boy.
SHANE
Say it louder.
STEVEN
I wanna be your pussy boy.
SHANE
I know you do. You're a fucking faggot,
aren't you? I bet you got a tight pussy
hole. Do you?
Steven nods "Yes."
SHANE (cont'd)
Do you really?
He nods "Yes."
SHANE (cont'd)
Don't lie to me, cocksucker. Are you
lying?
Steven shakes his head "No." He gives him money again.
SHANE (cont'd)
So, what's your name?
STEVEN
Steven.
SHANE
No, your real name.
STEVEN
It's Steven.
SHANE
Nobody uses their real name here. Tell me
your real name.
STEVEN
Jonathan?
He gives him money a third time.
STEVEN (cont'd)
So, what's your name?
SHANE
Why?
STEVEN
Just curious.
SHANE
It's Shane.
STEVEN
Shane?
SHANE
Yeah. Shane. You have a problem with
that?
STEVEN
No, it's interesting.
SHANE
Shut up.
(Beat)
So where are you from?
STEVEN
Oklahoma.
SHANE
The city or the state?
STEVEN
The city.
SHANE
You're from Oklahoma City?
STEVEN
Yeah.
SHANE
No, you're not.
STEVEN
I really am.
SHANE
Tell me where you're really from.
STEVEN
I did.
SHANE
Do you want more of this?
He waves the money at Brian.
SHANE (cont'd)
Then you tell me where you're really
from.
STEVEN
Minneapolis?
He gives him money a fourth time.
SHANE
God, I wanna fuck you. Would you let me
fuck you? Really? Open your mouth. Wider.
Come here. Closer. All the way on the
glass. Stick your tongue out.
I think I'm in love with you.
23 SCENE: ROBERT AND JANET IN BOOTH
At end of scene, Booth 2 turns back around and Booth 1 turns
open to audience to reveal Janet masturbating under his
yellow dress. Yellow lights are on full. Janet cums and sits.
Booth spins back around.
24 SCENE: STEVEN AND BRADLEY IN BOOTH
BRADLEY
I hope this doesn't bother you, but I've
been with thousands of guys. I mean, I
don't want to brag here, but I just know
what I'm doing. Look what I can do with
my tongue.
(He demonstrates)
That's hot, huh? Have you ever seen
anyone do that before?
STEVEN
No.
BRADLEY
Do you like it?
STEVEN
Sure.
BRADLEY
You ever had a tongue up your ass?
STEVEN
Sure.
BRADLEY
Would you like my tongue up your ass?
He demonstrates again.
STEVEN
Sure.
BRADLEY
Do you have a boyfriend?
STEVEN
No.
BRADLEY
Would you like one?
STEVEN
Sure.
BRADLEY
My cock is rock hard right now. Do you
like big dicks? You know, most guys tell
me I'm the biggest they've ever been
with. Does that scare you?
Steven shakes his head, no.
BRADLEY (cont'd)
It doesn't?
STEVEN
Oh, no. It does. I'm sorry.
BRADLEY
That's okay, baby. You don't have to be
scared. I'm a very sensitive lover. If
you're not enjoying it, I'm not enjoying
it.
25 SCENE: MARCO ROSSI IN DRESSING ROOM.
MARCO
Okay, how long til I'm on.
GINO
2 hours 14 minutes and 21 seconds.
MARCO
Okay. I'm gonna be good. And how do I
look?
GINO
You look good.
MARCO
That's all?
GINO
What?
MARCO
I look good? That's it? Just good?
GINO
You look great.
MARCO
Well fuck that. I don't want look great I
wanna look fucking amazing.
GINO
Marco, you look fuckin amazing.
MARCO
Really?
GINO
Of course.
MARCO
No, I don't.
GINO
Yes, you do.
MARCO
Your not just saying that.
GINO
Marco, you look fucking amazing. You look
better than you've ever looked. You are
the hottest man in this whole fucking
city. When you take off your clothes the
whole audience will go into cardiac
arrest. Go find me a man in this city
that's hotter than you. You can't do it.
Theres no one out there. You are the
hottest Marco the hottest.
MARCO
Oh your too nice to me. Gimme a hug. I
love you man!
GINO
I love you Marco.
They are still hugging, Marcos hands glide down to his butt.
MARCO
Gino, holy shit!
GINO
What?
MARCO
You got a nice ass!
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