PS#2
Okay, great, let's do this.
PS#1
Wait a minute, wait a minute. I'm sorry,
this position is not working for me. I
can't breath under here.
GINO
You want to change positions?
PS#1
Could I please?
GINO
What do you want to do? While don't we just
follow you with the camera. Do you want to
get on your knees.
PS#1
That's great, thank you.
GINO
You're going to get carpet burns.
PS#1
No I won't.
GINO
Alright, whatever you want.
PS#1
Ah, much better!
GINO
Okay guys, listen up. Blow job scene. Grab
his cock, look at it, talk to it, sniff it,
twist it.
PS#1
I've done this before.
GINO
Show me, don't tell me. Roll tape.
A#1
Rolling!
GINO
Let's go, guys. Heavy duty energy.
ACTION!
PS#1 begins sucking PS#2, who ruins scene by putting his hands
on his hair.
PS#1
What, what is this?
PS#2
What were you doing?
GINO
Cut!
PS#1
Gino, he's like pulling my hands away.
PS#2
You said suck dick, right?
GINO
Guys, keep your hands to yourselves,
please. And if you don't like each other,
fake it.
PS#1
Do you not want me to touch your butt, is
that the problem?
PS#2
I want you to just suck the dick.
GINO
And that's what I want.
PS#1
Alright, I got it.
GINO
Roll tape.
A#1
Rolling!
GINO
ACTION!
Sucking continues on bench with PS#1 on knees servicing PS#2
who's seated on bench.
PS#1
Wait a minute, wait a minute. Water please.
A#1 brings on bottle of water, PS#1 drinks, taking his time.
GINO
(to PS#2)
We have diva's on the set today?
PS#1
Thank you very much. Okay, I'm ready now.
GINO
Are you sure?
PS#1
Absolutely!
GINO
Let's go.
PS#2
Are you okay?
PS#1
Yeah, I'm great. How about you?
PS#2
I'm just fine.
PS#1
Good.
GINO
Roll tape.
A#1
Rolling.
GINO
ACTION!
Sucking action resumes.
PS#1
Don't touch my hair.
Music cue #7 I Wanna Be A Cowboy by Boys Don't Cry
LIGHT CUE: WEIGHT BENCH AT 1/2
The weight bench area goes to half and the camera switches its
focus from the sex to Gino Colbert watching the scene.
LIGHT CUE: BEDROOM SPOT
The light changes on the first lyric and the actors go to their
next scene.
19 SCENE 19: PREPARING FOR ANAL SEX SCENE
PS#1 strips down and lays on back as PS#3 enters and is handed
condom by the director. PS#3 puts the condom on and then gets on
top of PS#1 and they begin "to fuck". All simulated of course.
LIGHT CUE: BEDROOM SEX LIGHT
The light changes from a tight spot on PS#3 to the light we use
when they are actually being filmed. After a few beats the
music fades out and the only sound we hear is of them fucking.
PS#1 is very uncomfortable.
20 SCENE 20: GINO DIRECTS-PART 2-FUCKING
PS#1
(very frustrated)
Come on Gino another minute and he's gonna
strike oil.
GINO
I need another minute of fucking. I didn't
quite get fifteen strokes.
PS#1
Fifteen? That was like forty strokes.
GINO
You're delusional. That's because he's
fucking your brains out. Keep rolling.
A#1
I'm rolling.
They continue fucking.
GINO
Good, JT, keep fucking him.
PS#1
(in pain)
Agh. Agh. Agh. Agh. Agh.
GINO
Good. Cut.
LIGHT CUE-GENERAL WASH
The lights change to a general work light wash, but still
focused on the bedroom area.
PS#1
He's bruising me. I'll never have Children.
He doesn't care.
LIGHT CUE: GINO SPOT
GINO
(to audience)
Sure, you can give them a break sometimes,
but most of the time they don't even need
one. They're giving you star attitude or
wasting your time.
Or, for God's sakes, they might even be
tweaking! Now, I might sound like a drill
sergeant and say, "guys, don't stop, keep
going," but it's for the good of everybody
concerned.
He turns back to the set.
GINO (CONT'D)
Guys, don't stop - keep going!
LIGHT CUE: BEDROOM SEX LIGHT
They fuck for a few more beats but PS#1 can't take it so he
stops gets off the bed and crosses down stage.
LIGHT CUE: BEDROOM GENERAL
PS#1
Oh my God, I'm just really sore today. That
is it. Oh, man, oh, fuck.
GINO
Do you want to lay on your stomach.
PS#1
I'm okay. I just need to rest for a moment.
GINO
It's all right.
PS#3
(still on the bed)
I'm sorry, I didn't mean to fuck you so
hard.
PS#1
(sarcastically)
Yeah right!
LIGHT CUE: BEDROOM SPOT
PS#1 (CONT'D)
(to audience)
You know, when you read about traditional
Hollywood say things like, "oh, we had to
do a love scene and it was so difficult, it
was so embarrassing." I'm like, baby, get
on a porn set, get a hard on, and then tell
me how embarrassing it is. Plus you're not
getting paid six million bucks to do it.
PS#1 gets back on bed for more fucking.
LIGHT CUE: BEDROOM SEX LIGHT
GINO
Still rolling.
PS#1 throws his legs in the air but is still in pain. They
continue to fuck.
PS#1
Agh. Agh. Agh.
GINO
Talk to him.
PS#3
Yeah, you like that?
PS#1
No.
GINO
Don't say no, you're fighting him. Again,
and action.
PS#3
Yeah, you like that?
PS#1
Oh yeah! Yeah, yeah. PS#3 starts to fuck
like a jack-hammer.
BOTH
Agh! Agh! Agh! Agh! Agh! Agh! Agh! Agh!!!
AHHHHHHHHHHHHHHHH!!!!!!!!!!!!!!!!!!!!!
GINO
And cut! Perfect!
LIGHT CUE: BEDROOM GENERAL
A#1
God damn its like a rape movie!
PS#1
Tell me about it.
GINO
Yes, that's the closest to hard-core we go
for Leisure Time, and it was a hot scene.
OK, just stretch it out. Go ahead. I want
everyone to know that I usually don't touch
models like this but we have a very special
relationship with this very difficult
model.
PS#1
Ahem - he's my daddy.
GINO
Yes, I'm his daddy now.
LIGHT CUE: TABLE
A#1 calls Gino over to look at a cup of fake cum.
A#1
Hey Gino, come here, check this out.
GINO
Drop some in the cup. Let's see. Now,
does that look like cum? It's too runny.
What did you put in there.
A#1
Some mayo and water.
GINO
Water? You have to make it thicker, not
thinner. If I used this in the picture,
they'll think the model had an infection.
Put in some pina colada mix, or egg whites.
We have to move on. If you can't get it
right, jack off in the cup.
A#1
Okay...
A#1 finishes the "cum", as Gino heads back to his directors
chair.
LIGHT CUE: GINO SPOT
GINO
(to audience)
When you're using one camera to make a
movie, it's all about that close-up.
Nothing matters more than the penetration -
the cock in the mouth, the cock in the ass.
So, you have to go back and fake the facial
reaction shots, because you can't expect
the models to have more than one orgasm in
the same scene.
LIGHT CUE: BEDROOM GENERAL
He returns to directing.
GINO (CONT'D)
Okay, Peter, let's start with you. On your
back. Now, you know exactly what we need.
Let it travel through your body, work your
neck muscles, and let it explode. Get the
shot over JT's left shoulder - JT's point
of view. All we want to see is what JT
sees.
PS#1
OK.
GINO
And leave your hair alone - you just had
sex. We want to see the sweat and
everything. And, if he moves, follow him.
You only move if he moves. OK, roll tape.
A#1
Rolling.
GINO
And action!
LIGHT CUE: BEDROOM SEX LIGHT
PS#1
(cumming)
Oh, I'm cumming oh yeah. How was that?
GINO
You even fooled me on that one. OK,
reverse shot. Legs up. Close on JT.
Everything has to match.
A#1
OK
PS#3
You know what we need, JT. Really wack
your dick around so we can see all of your
chest and neck muscles moving around. OK,
let's roll.
A#1
Rolling
And now it is PS#3's turn.
GINO
And action!
PS#3
Argh. Argh. Arggghhh. (SQUEAK NOISE)
A#1
Oh, yeah, she's straight!
GINO
Where did that squeak come from?
A#1
I think she went down on a mouse!
GINO
OK, we have to do it again. One more time -
and NO squeak! Everything was good except
for that squeak. Rolling?
A#1
Rolling.
GINO
And action.
PS#3
Argh. Argh. Arggghhh.
NO SQUEAK!
GINO
Fine, I can live with that. OK, now lets
do the fake cum for the back of the box.
A#1 gets the cup with the fake cum and a turkey baster from the
prop table. When he approaches the set, PS#1 sees the baster
and makes a noise.
PS#1
Ooooo! What's that? A turkey baster?
A#1
Yeah.
PS#1
I feel like a lesbian.
GINO
Put the cum all over his face.
A#1
More?
GINO
Face and chin and chest. And if you don't
rub it in, it's gonna look like cake
frosting.
A#1
Well, it's not like I've ever done this
before.
GINO
It has to look like JT shot a week's load
of cum on him.
A#1
More?
GINO
More.
A#1
How many people came on him?
GINO
Oh, you know what? That's the same turkey
baster I had on my set "Girls with Dripping
Snatches".
PS#1
Um, are you sure this is enough?
GINO
Yes. Let's get this shot. Let's roll.
A#1
I'm rolling.
GINO
And action.
A#1 gets a close up of PS#1's face as he mugs for the camera
with the cum on his face.
LIGHT CUE: BLACK
CAMERA: BLUE MONITORS
Music cue #8 Force Marker by Brian Eno (HEAT soundtrack)
The music fades down, but not all the way out.
21 SCENE 21: BOX COVER SHOOT
LIGHT CUE: BEDROOM SPOT
A#1 is seated on the bed. Gino, PS#1 and PS#3 are in the
bathroom getting ready for the photo shoot and there light is at
half.
CAMERA: OFF/EXT
A#1
(to audience)
So once the movie is finished, you have to
start designing the box cover because the
picture on the box is what sells the movie.
You try to take the title of the movie and
try to tell that story in one picture, from
the setting to what the boys might be
wearing or may not be wearing.
LIGHT CUE: BATHROOM
Gino is setting the guys in a pose for the photo shoot.
GINO
We just wanna see men and we wanna see
toilet. No, here's the scenario for this
box. You're in the toilet taking a leak,
so whip out your cock. Put one leg up on
the seat - I think that will work. And you
don't see this guy who's walking in the
bathroom. You're happy - you're relieving
yourself. And in walks Peter, the big bad
rapist. You walk in mean and tough like
you're gonna fuck him up the ass.
We need eight or ten stills at the most,
alot of different poses. OK, ready? Let's
go!
LIGHT CUE: BLACK OUT
LIGHT CUE: 10 FLASHES
Music fades up and a series of flashes. They guys strike
different erotic poses, so they resemble still photos. Music
plays through, loud, until they break for lunch.
LIGHT CUE: GENERAL WASH
22 SCENE 22: ORDERING FOOD
GINO
Okay lunchtime.
PS#1
Thank Christ.
PS#3
I'm starving.
GINO
You want a broccoli ravioli? You want a
chicken ravioli? Some Hungarian goulash?
What are you in the mood for? Would you
like some Italian sausage?
PS#3
Ha. Very funny. Can they put chicken on
that?
PS#1
Chicken on what?
PS#3
My pizza.
PS#1
That sounds good, that's what I want.
GINO
You haven't even ordered yet.
PS#1
But that's what I want.
All freeze except A#1.
A#1
(holding a magazine and video)
Sometimes they'll spend more money on the
box cover than they do on the actual movie.
You'll have this really great looking box
and a really cheap, tacky movie inside.
That's why they have reviewers in the
business, to warn people about that kind of
thing.
23 SCENE 23: PUBLICITY
Chi Chi enters in half-drag and walks right up to A#1. The rest
of the cast stay frozen.
CHI
Girl, is my review here yet?
A#1
It just came in.
CHI
This is it?
A#1
Yeah.
CHI
But I thought they said I'd be on the
cover.
A#1
I guess they lied.
Chi Chi takes the magazine and is flipping through the pages.
CHI
Is it good?
A#1
Yeah.
CHI
Well, where the fuck is it? It should pop
right out at you. Oh my god, there it is.
Oooo! Look at the picture. Do I look
good? Don't lie to me bitch!
A#1
You look great. You look a little chunky!
CHI
Duh!! Look at this headline, "Spunky
Lady". 'Cause I'm a spunky lady, bitch.
(reading)
"Life is never a drag for the Queen of
Porn, director Chi-Chi LaRue". This is
good. Oh, listen to this.
(still reading)
"They find themselves in a bedroom doing
kissey-kissey. Dennis goes down on Tony's
big cock. Tony returns the favor and licks
Dennis' coochie. They get into some hot 69
action. Dennis sits on Tony's huge penis
then Dennis plows his own rod into Tony.
They both shoot!" Girl, this is a fabulous
review. Did John Karr write this?
A#1
(to PS#1)
Wait a second. Do you love to get
publicity?
CHI
(posing)
I hate publicity.
All unfreeze.
24 SCENE 24: LUNCHTIME
Money discussion.
PS#1
I think that in this industry, the better
you are at self-publicizing, the further
you go, you know. And when I say the
further you go I mean the more money you
make.
A#1
How much do you make?
PS#1
Hey, I'm not gonna to tell you that. But, I
will tell you this much - you can make a
lot of money in the porno industry.
PS#3
I have no complaints. So, it's okay.
PS#2
You want me to give you numbers?
A#1
Roughly.
PS#2
That's the only thing I won't tell you.
PS#3
Nope, we don't need to give Uncle Sam
anymore news than he needs to know.
PS#1
Yeah, the IRS is a problem, especially when
you try to find a category on your tax form
for porn star.
PS#2
If I was a waiter in a very, very, busy
restaurant, for instance, I would have to
work maybe about a week to make exactly the
same money as I make a day on the set.
PS#1
Per scene, over four digits. Average.
A#1
There are some of them who are bad
businessmen and lose money. There are some
who are excellent businessmen and make a
tremendous amount of money. There are
people who live in beautiful homes who have
beautiful cars who have made an excellent
living. But all of these businesses are
basically small businesses. There isn't
anyone who's gotten incredibly, amazingly
wealthy in the gay porno industry.
PS#1
You know, there are young guys who come
into this industry from all over the
country - and I'm not talking about the
big cities. I'm talking about the
Midwest or, you know, or wherever these
guys are from, and all of sudden they're
being paid like a thousand to two
thousand dollars a day - in their hand.
So, like, if they're doing you know one
scene after another, it's like what else
do these guys do with their money? So,
eventually they turn to drugs.
Drugs discussion.
PS#3
I've been on a lot of sets. I have never
seen drugs on a set. Every set that I have
ever been on has been very professionally
run.
PS#2
Oh please, Mary, of course you've never
seen drugs on a set because everybody's
high when they arrive.
PS#1
Not me, Miss thing.
PS#2
I was on a set once and this queen was
mixing up a big ole booty bump and she was
shoving it up her ass, playing Betty
Cracker in the kitchen.
A#1
Booty bump?
GINO
What the hell is a booty bump?
PS#2
Oh, girl! A booty bump is where you mix
crystal with water or some other substance
and you put it up your ass with an eye
dropper or a syringe without a needle.
GINO
Who was doing that?
PS#2
I can't tell you but you know him.
PS#1
Who?
GINO
Never you mind.
PS#1
You're a fucking ass hole!
LIGHT CUE: WEIGHT BENCH AREA
PS#2
I used to have a very serious drug problem.
I remember once, I was awake for 38 days
straight. My nick name used to be
Crackiesha. I make fun of it now but
looking back, I know it's really sad. You
look around the industry and you see alot
of people whose lives are going nowhere,
and it's like they're searching for
something. I think this industry attracts
people like that. People who are needy.
People with low self-esteem. People who
need to have constant reassurance and
stroking, and comfort and the drugs play a
big part in that. They make you feel
better... for a while at least.
Joey Stefanos picture appears on the monitors.
PS#2 (CONT'D)
People talk about Joey Stefano like he was
some kind of unique situation, but to me
its amazing that more porn stars aren't
keeling over. Drugs are rampant. Period.
Trust me! I know!
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