ScenesFromMyLoveLife
Script created with Final Draft by Final Draft, Inc.
[
previous
| bottom
]
RICH 775-8249.
MIKE 775-8249?
RICH Right.
MIKE Can I call you tonight?
RICH Sure. Great.
MIKE I'll call you tonight.
RICH Great. (Lights change. Music cue. Richard exits first
SL. Gene enters UL, goes behind door. Mike exits R as Gene
enters.)
Scene 11 Gene's First Drag Number
GENE (IN FULL DRAG DOES FULL LIP-SYNCH TURN TO RECORDING OF
I'LL BE HARD TO HANDLE BY J. KERN, SUNG BY ANN MILLER. THIS
NUMBER IS SOMEWHAT OPEN DEPENDING ON THE DANCE SKILLS OF THE
PERFORMER. IF THE SKILLS ARE LIMITED, SHE SHOULD FIND STEPS
THAT ARE SIMPLE, BIG, CAMPY AND NOT REPETITIVE. THE
PERCUSSION ACCENTS AT THE END OF MANY OF THE LINES ARE
IMPORTANT FOR POSES ETC. ALSO, DON'T DO TOO MUCH INTENSE
DANCING UNTIL THE MUSIC BREAK TO CONSERVE ENERGY. THE MUSIC
SHOULD HIT AS SOON AS RICHARD SAYS "GREAT." THE GENE ENTERS
ON THE SECOND REPEAT OF THE INTRO FROM UL AND GOES BEHIND
DOOR. AS SHE ENTERS MIKE EXITS R BUT HE SHOULD NOT BE OFF
STAGE UNTIL AFTER GENE IS ON. ON THE FIRST 'BOOM', GENE
OPENS DOOR AND POSES IN THE DOORWAY. ON SECOND 'BOOM', HE
CLOSES DOOR AND POSES IN FRONT OF IT. GENE LOOKS FIRST IN
RICHARD'S DIRECTION THEN IN MIKE'S AND BEGINS.)
Spread out boys, you bother me.
I hear you knockin' but you can't come in
Let me warn you fellas
I'll be hard to handle
I won't give an inch.
So don't go and bet
It's easy to get
Me in a pinch
If you don't believe me, try it.
I'm prepared to wrestle
If safety demands.
I'll wrestle those guys
With four pair of eyes
And sixteen hands
And you ought to see me throw it.
Mean 'till I've had breakfast coffee
Meaner when I've had my coffee
I am just an iron butterfly at heart.
All the fellas say I scare 'em
If they're backwards I can't bear 'em
If they're forward
I tear 'em apart.
Awful hard to handle
A positive fright
But I'll get along
If I'm doin' wrong
I'm doin' all right.
(Music break)
I'll get along
If I'm doin' wrong
I'm doin all right.
Mm Mmmmm.
The natives are restless tonight. Posing in front of door
Does 3 turns DS and begins 'singing'
Pose.
Move to DL blocks & sit.
Pose.
Stand & pose.
Walking backwards giving movement to music cues at end of
these lines
One turn DL then, facing DS one arm goes up and with one
finger, mark the bell sound at end of line.
Dance sequence. Big, campy, but not repetitive.
Walk upstage
Turn head, look over shoulder.
Open door, step through. Chris enters left.
Turn head look over shoulder DL at Chris.
Close door and after music ends exit left.
(Chris enters from L just before "The natives are..." with a
phone, paper and pencil. He sits on DL block.)
Scene 12 Party Line
CHRIS Hello, hello? Is anybody out there? Hello?
MIKE Hello.
CHRIS Hello. (Lights change.)
MIKE What are you looking for? (Gene brings on a vanity from
UL, places it in front of door. He takes block behind Chris
for a chair. He sits and begins to adjust his make-up.)
CHRIS Actually I've never...
MIKE Speak up. I can't hear you. (Rich enters down R,
Crosses down L.)
CHRIS I said actually I've never called before.
RICH Yeah, right. (Rich exits down L.)
CHRIS What?
MIKE Just ignore him. So what are you into?
GENE Hello. Any tops on the line?
CHRIS What did you say?
GENE Any tops on the line?
CHRIS No, the other guy.
MIKE I said what are you into. (Allen enters.)
ALLEN Any cocksuckers on the line?
GENE Right here.
ALLEN Yeah. Do you have a number I can call you at?
GENE Actually, I need to call out.
ALLEN Me too.
MIKE Is the first timer still there?
CHRIS Yeah, I'm right here. (Allen moves behind door.)
MIKE Do you want to call me?
CHRIS What's your number?
MIKE 861...
CHRIS 8-6-what?
BILL (Bill enters from L, stands DL.) Anybody out there
looking for a daddy?
MIKE Where are you calling from?
BILL The city.
MIKE What part?
CHRIS Hey, is the guy with the 8-6 number still on?
BILL Downtown. Are you looking to go out or stay in?
MIKE Stay in.
BILL Can I give you a call?
MIKE You looking to go out?
BILL Yeah. Can I give you a call.
MIKE Sure, my number is...
BILL Wait. (Bill checks to see if he has a pen on him, he
doesn't.)
MIKE Ready?
BILL Yeah, go.
MIKE 861-5079
BILL 861-5075?
MIKE 9. 5079.
BILL 5079.
MIKE Yeah.
BILL Ok 861-5079.
MIKE Correct.
BILL I'll call you right back. (They both hang up. Mike
exits R, Bill exits L.)
CHRIS Hello. Hello?
GENE What are you looking for?
CHRIS Well, I thought I was looking for him.
GENE Who?
CHRIS 861-5079.
GENE Call him.
CHRIS No. That's Ok. (Allen enters from behind door and
leans on its right side.)
ALLEN Are there any cocksuckers on the line.
GENE Right here.
ALLEN I think we spoke earlier.
GENE Oh, maybe we did.
ALLEN Any other cocksuckers out there?
CHRIS Doesn't sound like it? (Allen exits L. Isaac enters
UL, moves DC so he is next to Chris.)
ISAAC Hello? Anybody out there looking to get together?
CHRIS Maybe. Who's this?
ISAAC Jack
CHRIS Hi, I'm Chris. Hello?
ISAAC (TO HIMSELF.) OH MY GOD. (EXITS SR.)
CHRIS Hello? Jack? Jack?
GENE Jack got off honey. (Gene puts down phone but doesn't
hang up.)
CHRIS I think you're right. So do you call this line a
lot? Hello? Hello. Hello? Anybody out there? (Gene picks
up phone.) Helloooo?
GENE Yeah, I'm here.
CHRIS How are you doing?
GENE Absolutely fabulous. (Hangs up.)
CHRIS This is my first time calling. I have friends who
call but I've never called before so you know it's pretty
interesting. Do you call a lot? You still there? (Pause.)
Hello. Hello, anybody there? Hello, anybody out there?
Anybody out there just want to talk? Hello. Helloooo?
(Lights change.)
Scene 13 Gene's Second Drag Number
(Gene does second drag turn to Peggy Lee singing Talk To Me
Baby. There is choreography of hands and phones from behind
the flats. As soon as the music starts, Chris exits L.
Gene, who is sitting on block with cordless phone to ear,
starts moving shoulders or swinging a crossed leg, something
sexy. Bill, Mike, Isaac and Steve are off stage with phones.
During the number they will extend their arms only on-stage,
holding the receivers. In the table below, PO = Phones on.
PF = Phones off.)
Talk
To me baby.
Tell me lies
Tell me lies, as sweet as
apple pies.
And if your lips have never told a fib
You might ad lib with your eyes.
Ooooh
Tell me I'm marvelous, exaggerate
Prevaricate if you must, just
Talk
To me baby,
Soft and low
Then if you decide it's
Really so
Swear you'll be mine forever
Otherwise
Just talk to me and
Tell me lies
Say that we're helpless
In the hands of fate
Exaggerate if you must
Just
Talk
To me baby
Soft and low
Then if you decide its
Really so
Swear you'll me mine forever
Otherwise
Just talk to me and tell me
Lies
Lies
Lies
Lies
Great big beautiful, wonderful, beautiful
Lies
Lies
Lies
Lies
Great big
Great big beautiful
Lies PO
PF
PO
PF
Stand & walk down-stage seductively
Cross SR, trade cordless phone for receiver w/ long cord.
Move CS stretching cord.
Turn twice SR, wrapping cord around waist.
PO, SR phone hits Gene on head. Trn CS unwrapping cord from
waist.
PF
PO, Toss phone off SR. Cross SL
get phone.
PF
Move US, grab a 2nd phone, sing
into both Hand off both phones,
cross CS
(Between this point & the
end of the song,
The dress, wig, shoes,
make-up come off &
street clothes, which are
stored in vanity
are put on.
PO
PF
PO
PF
Phone 1 on
Phone 2 on
Phone 3 on
Phone 4 on
Phones slowly down and off.
Phone 1 on
Phone 2 on
Phone 3 on
Phone 4 on
PF-PO
Phones down, then shake & slowly up
& off
(Lights change, Richard
enters from UL with phone
and sits on block DL.
Gene moves DR and takes
phone from behind flat.)
Scene 14 Richard Calls The
Pharmacy GENE Walgreen's Pharmacy.
RICH Can you tell me some of the...
GENE Oh, can you hold? I have another call.
RICH Go.
GENE Walgreen's Pharmacy. Oh, hello darling. No, I have a
show tonight. 9:00. Yes darling. No, I don't get off here
until 6:00. It takes me two hours to get into make-up. You
don't do drag, you don't know. No, I'm wearing that silver
thing and I got these fabulous pumps at PayLess. You could
pay more, but why? Listen darling, I have a customer on the
other line. Let me hang up with him and I'll come right
back. (Clicks off.) Hi, sorry to keep you waiting. What
was your question?
RICH Can you tell me some of the drugs that people who are
HIV positive might take?
GENE Not really.
RICH Why not?
GENE There's hundreds.
RICH You're kidding.
GENE I'm not.
RICH Well, is Arcola one?
GENE What?
RICH Arcola?
GENE How do you spell that?
RICH A-R-C-O-L-A.
GENE I've never heard of that.
RICH You've never heard of Arcola?
GENE Nope. Sorry.
RICH Well can you...
GENE Sir, we're really busy here and....
RICH I know. I'm sorry.
GENE If that's all, I really need to....
RICH Well, how can I find out about this drug?
GENE I really can't help you and....
RICH Fuck. Ok. Thanks Priscilla, bye. (Lights change.
Mike enters from UR as Richard exits L and Gene exits R.)
Scene 15 Shadowlands Monologue
MIKE I just saw that movie Shadowlands about C.S. Lewis, and
I was in London a couple of years ago and I saw the play and
now I'm really confused because in the play he didn't go with
her because he was gay. They were just friends. But in the
movie they have all these passionate kisses. Wasn't C.S.
Lewis gay? Or did I read too much into the play? No, he was
gay. Right? God, I'm so confused. Do you like this
sweater? (Lights change. Bill and Allen enter from UL, Mike
exits UR. Allen moves UC block next to DL block. These
remain in place through the end of the You're So Vain number.
Bill and Allen play scene seated on blocks, Bill at R, Allen
at L. Bill does not begin speaking until Allen is seated.)
Scene 16 Bill's Letter To The Editor
BILL Allen, listen to this and tell me how it sounds. "Dear
editor. Four times in the last month I have placed personal
ads in your paper and twice they were lost. Do you think
because your paper is free that you don't have to function as
efficiently as other publications? At a time when our
community is being attacked from all fronts don't you feel
that we need to at least be able to rely on each other with a
little dependability. I do not care for the bar scene and I
do most of my socializing through the personals department.
I have placed ads in many other gay papers and they have
never been misplaced. If you force me to do my business
elsewhere I will but I hope this is not a measure I have to
take. I hope you look into this problem immediately so that
we can both move forward with more productivity and pleasure.
Thank you for your consideration on what I consider to be an
important matter. Name withheld." What to you think?
(Allen says nothing.
Steve and Richard enter from DR and begin speaking
immediately. As Bill and Allen exit L, Steve and Richard
move L and play scene standing in front of blocks.)
Scene 17 Steve And Richard Discuss The Letter.
STEVE (Holding copy of the B.A.R.) Do you ever read the
Bay Times or the B.A.R. and feel like you're not gay?
RICH No.
STEVE I mean some of the topics are so dumb.
RICH You ever read People?
STEVE I like People.
RICH And you find the B.A.R. vapid?
STEVE No, it's just that I can't believe some of the...
Like ok, listen to this. Here's a guy whose personal ad gets
lost and he writes.
RICH Oh, I read that letter.
STEVE It's absurd.
RICH I know because the B.A.R. is very strict about the
deadline and it's hard enough getting your ad in on time.
STEVE Richard, I mean the letter is absurd.
RICH Why?
STEVE It's absurd that a grown man had enough time to sit
and compose this letter and mail it.
RICH They lost his ad twice and he doesn't go to bars.
What's he gonna do for sex?
STEVE What?
RICH It's hard to meet people.
STEVE For who?
RICH Well, not me. But I know a lot of my friends complain
about meeting people.
STEVE Oh, come on. This is San Francisco. I got cruised
in the elevator by the exterminator. I even got cruised by
the Iranian guy who runs the market across the street.
RICH Iranians are not gay.
STEVE Richard.
RICH You get killed if you're gay in Iran.
STEVE He doesn't live in Iran. He lives across the street.
RICH He lives in the market?
STEVE No. I mean he lives in San Francisco and works at
the market and he's gay.
RICH Well, that's good that he's gay.
STEVE I didn't say it wasn't good.
RICH So what are you saying?
STEVE I'm saying we live in San Francisco and everyone's
gay.
RICH I know.
STEVE Forget it. (Isaac and Chris enter from UL as Steve
and Richard exit DL. Isaac and Chris sit on blocks, Isaac at
R, Chris at L.)
Scene 18 Chris Tells Isaac He Called The Sex Line
ISAAC You didn't
CHRIS I did.
ISAAC Really?
CHRIS I did.
ISAAC And?
CHRIS Nothing happened.
ISAAC Something must have happened.
CHRIS Nothing happened.
ISAAC Did you make a love connection?
CHRIS Shut up.
ISAAC Did you?
CHRIS No, it was boring.
ISAAC Boring?
CHRIS Well, it wasn't boring.
ISAAC Isn't it interesting?
CHRIS Kind of.
ISAAC Did you call anyone?
CHRIS No.
ISAAC Did you give out your number?
CHRIS Actually, I hardly talked to anyone. People kept
interrupting.
ISAAC You only called once?
CHRIS Actually, I called twice.
ISAAC See, isn't it addicting?
CHRIS It's not addicting.
ISAAC I mean addicting in a good way.
CHRIS I actually did meet someone the second time.
ISAAC You actually met?
CHRIS No, on the phone. We talked on the phone.
ISAAC Was it hot?
CHRIS It was fun.
ISAAC Fun?
CHRIS Yeah.
ISAAC What did you talk about?
CHRIS Opera.
ISAAC Oh no.
CHRIS Mostly opera.
ISAAC You didn't talk sex?
CHRIS No.
ISAAC Did you come?
CHRIS No. God no. I just wanted to see what all the fuss
was about. I wanted to know what the appeal was.
ISAAC Do you understand now?
CHRIS No, other than talking about opera.
ISAAC You're not supposed to discuss opera.
CHRIS Don't you ever meet other actors and talk about
theater?
ISAAC Actors don't talk about the theater.
CHRIS What do they talk about?
ISAAC Themselves.
CHRIS Well, we had a nice talk about opera.
ISAAC I can't believe you.
CHRIS I just don't find it arousing.
ISAAC Oh, I do.
CHRIS Why?
ISAAC It's very freeing. It's very relaxing but exciting.
I like the way people express themselves so openly. You can
say what you want straight out and you don't have to buy them
a drink first. And if you don't like them you just hang-up.
I like that there's no commitment and no ties.
CHRIS And that's how we're different.
ISAAC What?
CHRIS Isaac, you don't want to be in this relationship.
ISAAC Chris, I do.
CHRIS No, you don't. We want totally different things. I
want to stay home and have dinner and you just want to go out
with your friends that I know you like better than me.
ISAAC Yeah, but I love you.
CHRIS I know you do. But you don't want to be in this
relationship.
ISAAC I do.
CHRIS No you don't. We rarely have sex anymore.
ISAAC I don't know what to do about that.
CHRIS Are you faithful?
ISAAC Yes.
CHRIS You don't fool around?
ISAAC No. Not really.
CHRIS What's not really?
ISAAC Chris, you know.
CHRIS This is over Isaac, it's been over for a long time.
ISAAC I know. (Isaac and Chris freeze, lights go to red and
we hear personal ad listings play on the sound system.)
Scene 19 Bulletin Listings
Ad 1. If you want to suck a big fat horse dick...
Ad 2. Yeah, this is Nicholas and I really get into fucking
small Latino guys. So, if you're small and you're Latino and
you really liked to get fucked, why don't you give me a
call...
Ad 3. Yeah, this is a message for Richard. Richard I hope
you get this message 'cause I think it's really shitty that
you say you're gonna come over and then you don't show up.
And you won't give me your number 'cause you got roommates or
whatever, I don't know. I just think it's really fucked. I
mean, if you say you're gonna show up, just show up man.
Have a little common courtes...
Ad 5. Daddy? Daddy? I really need you to slap my naughty
butt. I've been really naughty Daddy.
Ad 6. Yeah, I'm lookin' for 400 pound guys and up. If you
weigh 400 pounds and you're interested in getting togeth...
(Lights change. Music cue. As music begins, Isaac and Chris
slowly stand, look at each other and exit, Isaac R and Chris
L. John enters from UL, goes to door and is seen U between
Chris and Isaac as they exit.)
Scene 20 Chris And John In Booth
JOHN (STANDING IN DOORWAY. HE MOTIONS TO CHRIS WHO ENTERS
FROM L.) HI. COME IN HERE. (LIGHTS UP ON DOORWAY. MUSIC
FADES TO A LOW HUM.)
CHRIS It's small.
JOHN We'll fit. (Chris shifts around.) You're hot. What's
your name? (There should be a sense that Chris is in here
with some reluctance.)
CHRIS Umm.
JOHN It's not a hard question.
CHRIS I'm sorry. I'm just very nervous.
JOHN That's ok
CHRIS This is my first time here.
JOHN Relax.
CHRIS I don't normally go to sex clubs.
JOHN You're really hot.
CHRIS I just broke up with a guy who used to live here.
JOHN Sounds like me.
CHRIS It's kind of overwhelming.
JOHN You don't like it?
CHRIS No. It's just weird. I feel so naive. I'm more of
a relationship kind of guy.
JOHN Yeah, but everyone needs a little.
CHRIS Of course.
JOHN You're really hot.
CHRIS Thank you.
JOHN The fact that you're nervous really turns me on.
CHRIS Really?
JOHN You're very sweet.
CHRIS Sweet? I don't usually think of myself as sweet.
JOHN Well you are.
CHRIS You are too.
JOHN You are so nervous.
CHRIS I'm sorry.
JOHN Relax. (John sinks to his knees and tries to initiate
sex.)
CHRIS Do you mind if we just talk?
JOHN Umm...no.
CHRIS I'm just really not sure about this.
JOHN You're not attracted to me?
CHRIS No, I am. That's the problem. I've been watching
you for half an hour.
JOHN Really?
CHRIS Are you positive? (Almost mumbled. This line of
inquiry should be sincere, not preachy.)
JOHN Excuse me?
CHRIS You're positive aren't you?
JOHN Well, as a matter of fact I am.
CHRIS I saw that guy fucking you.
JOHN Oh.
CHRIS He wasn't wearing a condom.
JOHN Oh.
CHRIS That's not very safe.
JOHN Yeah, I guess my doctor wouldn't be too thrilled.
CHRIS I play very safe.
JOHN You know you can touch me.
CHRIS I know.
JOHN It's Ok to touch. (They embrace.) See, it's not that
bad.
CHRIS It's nice.
JOHN I know. You're very hot. (John tries to initiate sex
again.) I want you to fuck me.
CHRIS I'm sorry. I can't do this. I have to go. I'm just
really not comfortable here. Maybe somewhere else. I'm
sorry, I just... (Chris starts to exit.)
JOHN Are you Ok?
CHRIS I just really have to get out of here. This is not
my thing. (Chris exits UL.)
JOHN No problem. (John closes door and follows Chris off
stage. Isaac enters from DL and Allen from DR wearing a lab
coat and carrying a phone which is placed behind blocks and
used in next scene. Isaac sits at L, Allen at R. Lights
change, music blares for a moment then fades out.)
Scene 21 Allen Gives Isaac AIDS Test
ISAAC It's taken me over four years to get up the nerve to
do this.
ALLEN You'll feel better if you do it.
ISSAC Not if I'm positive.
ALLEN It's good to know either way.
ISAAC I'm not so sure I want to know.
ALLEN Well you don't have to take the test.
ISAAC No I do. I have to know.
ALLEN OK.
ISAAC It's just that I don't want to know.
ALLEN Ok.
ISAAC Am I annoying you?
ALLEN No.
ISAAC You probably deal with crazy people all day huh?
ALLEN Well.
ISAAC Be honest.
ALLEN Not all day.
ISAAC I should just shut up and take the damn test.
ALLEN You don't have to.
ISAAC How soon could I reschedule?
ALLEN You want me to check?
ISAAC No. I'm kidding, I'm taking this fucking test.
ALLEN OK.
ISAAC Just promise me I'll be negative.
ALLEN Well are you having safe sex?
ISAAC I think so.
ALLEN What does that mean?
ISAAC Well I've only had unprotected anal sex once and that
was with my next door neighbor, Gerald, and we were both
fourteen.
ALLEN Oh.
ISAAC God it was awful. I can't believe I'm telling you
this. Anyway right after that, AIDS kind of exploded and I
didn't have anal sex again for three years and when I did we
used condoms.
ALLEN With Gerald?
ISAAC No. He married my sister. Oh that's a whole 'nother
story. But the point is I don't really like anal sex but
whenever I do it I always use condoms. That's what I'm
trying to say.
ALLEN Listen. I manage a sex club on the weekends and we
do free testing on Wednesdays. I've given this test over a
thousand times and I think I have a pretty good understanding
of the disease. So if you tell me that you consistently have
safe sex, then there is a very good chance that you'll be
negative.
ISAAC And if I'm not?
ALLEN We'll deal with that after the results come back.
ISAAC Oh God.
ALLEN So what do you think?
ISAAC I think I want to marry you. Just kidding. You've
been great. OK, let's do this.
Scene 22 Richard Calls The AIDS Hotline
ALLEN AIDS hotline.
RICH Yeah. Can you tell me if people who are HIV positive
take Arcola?
ALLEN Can you repeat that.
RICH Yeah, it's called Arcola. I think it's spelled A-R-C-O
L-A, Arcola.
ALLEN I personally have never heard of it but that doesn't
mean it doesn't exist.
RICH You've never heard of Arcola?
ALLEN No sir, I have not. Maybe...
RICH What about something similar sounding?
ALLEN I don't know what to tell you.
RICH Well, who would know?
ALLEN I don't know.
RICH Well, who can I call?
ALLEN I really don't know sir.
RICH All right, umm, thanks. Bye. (Lights change. Richard
exits R, Allen exits UL as Chris and John enter from DL with
coats. Scene is played DC.)
Scene 23 Chris And John Outside.
CHRIS Oh, I'm so embarrassed.
JOHN Don't worry about it.
CHRIS I am.
JOHN It's no big deal.
CHRIS I've just never done that before.
JOHN What?
CHRIS Gone to a sex club.
JOHN What do you do?
CHRIS I don't know.
JOHN Are you okay?
CHRIS I'm fine. I just couldn't breath.
JOHN It gets pretty stuffy.
CHRIS You like it?
JOHN What?
CHRIS You like doing it in there?
JOHN Yeah.
CHRIS I just thought it would be more social.
JOHN What do you mean?
CHRIS It's just sex.
JOHN Uh huh.
CHRIS I thought it would be more like a club.
JOHN It is a club.
CHRIS But I mean more like a social club.
JOHN It is social.
CHRIS No one talks.
JOHN You can if you want to.
CHRIS But no one does. It's just sex.
JOHN It's a sex club. It's for sex.
CHRIS You go there a lot?
JOHN I work there.
CHRIS You work there?
JOHN Volunteer.
CHRIS You volunteer?
JOHN Yeah.
CHRIS Like a Red Cross volunteer?
JOHN Yeah.
CHRIS (Laughing.) That's so funny.
JOHN (After a long pause.) You know you're very hot.
CHRIS Thanks. You are too.
JOHN Do you want to go somewhere?
CHRIS Where?
JOHN I don't care. Are you driving?
CHRIS No, I took a cab.
JOHN I have my car, I could drop you somewhere.
CHRIS I guess we could go to my apartment.
JOHN Where do you live?
CHRIS Church and Market.
JOHN Are you okay with that?
CHRIS Yeah.
JOHN You sure?
CHRIS Yes I'm sure. I'm very sure.
[
top
| previous
| next
]
Script created with Final Draft by Final Draft, Inc.